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THE LILTING WALL

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the old backyard

the old backyard

what I am, what I think I am, what is there

what I am, what I think I am, what is there

keeping the peace

keeping the peace

It’s a shame, I gave this to someone who I now despise.

It’s a shame, I gave this to someone who I now despise.

Self portrait.

Self portrait.

firsttimeuser:

Alberto Ibanes. La belle aux fleurs

Alberto Ibanes. La belle aux fleurs

(via yama-bato)

The Spaces Between, 35mm film, the lilting wall.

The Spaces Between, 35mm film, the lilting wall.

timelightbox:

Untitled (Vivian Maier’s Shadow on Shoreline),ca. Late 1960s
Steven Kasher Gallery in Chelsea is exhibiting the work of secret shutterbug, Vivian Maier. Vivian Maier: Unseen Images features 35 black and white prints. When Maier died in 2009, she left behind more than 120,000 negatives and 2,000 undeveloped rolls of film. Last year, a couple hundred of these rolls, shot in the 1960s and 1970s, were finally developed. A selection of these images make their debut in this exhibition. (note: exhibition open from April 12, 2012 - May 26, 2012)
See Maier’s work on LightBox here.

Untitled (Vivian Maier’s Shadow on Shoreline),ca. Late 1960s

Steven Kasher Gallery in Chelsea is exhibiting the work of secret shutterbug, Vivian Maier. Vivian Maier: Unseen Images features 35 black and white prints. When Maier died in 2009, she left behind more than 120,000 negatives and 2,000 undeveloped rolls of film. Last year, a couple hundred of these rolls, shot in the 1960s and 1970s, were finally developed. A selection of these images make their debut in this exhibition. (note: exhibition open from April 12, 2012 - May 26, 2012)

See Maier’s work on LightBox here.

yama-bato:

reblololo:

1938.Gyorgy Kepes.Woman in cube

reblololo:

1938.Gyorgy Kepes.Woman in cube

Sometimes, in the early mornings, when you do not know of it,

I like to look at you up close.

The hair on your face, under your chin,

Like little crop circles that developed in the night.